NEWS
Seriously
Curated by Nana Bahlmann
November 21, 2025 — January 31, 2026
Sprüth Magers, London
Monika Sprüth and Philomene Magers are pleased to present Seriously., a group exhibition curated by Nana Bahlmann, featuring over a hundred conceptual photographs, print media, and select films ranging from the 1960s to the present, which expose the absurdities of our world and its representations. Through visual wit, subversiveness, and even outright slapstick, these photographic experiments offer humorous conceptual investigations of how images are constructed and interpreted. Employing a range of strategies, from masquerade and role-play to the construction of inexplicable scenarios, unexpected juxtapositions, and idiosyncratic sculptural compositions, these works reveal the farcical and fantastical within the visual realm. In reframing our visual world through satire and playful mimicry, they create space for both reflection and amusement.Seriously. features the work of Bas Jan Ader, Keith Arnatt, John Baldessari, Massimo Bartolini, Bernd and Hilla Becher, Lynda Benglis, Helen Chadwick, Robert Cumming, Thomas Demand, Philip-Lorca diCorcia, Braco Dimitrijević, Cao Fei, Hans-Peter Feldmann, Peter Fischli and David Weiss, Ceal Floyer, Tom Friedman, Dan Graham, Rodney Graham, Scott Grieger, Aneta Grzeszykowska, Sigurður Guðmundsson, Andreas Gursky, Barbara Hammer, Nancy Holt and Robert Smithson, Rebecca Horn, Douglas Huebler, Birgit Jürgenssen, Astrid Klein, David Lamelas, Louise Lawler, Natalia LL, Sarah Lucas, Urs Lüthi, Tom Marioni, Anthony McCall, Jonathan Monk, Peter Moore, Bruce Nauman, Joshua Neustein, Dennis Oppenheim, Géza Perneczky, Sigmar Polke, Charles Ray, Andrea Robbins and Max Becher, Ulrike Rosenbach, Thomas Ruff, Ed Ruscha, Cindy Sherman, Stephen Shore, Santiago Sierra and Franz Erhard Walther, Roman Signer, Laurie Simmons, John Smith, Martine Syms, Robert Therrien, Rosemarie Trockel, Keiji Uematsu, Ger van Elk, Mark Wallinger, John Waters, Gillian Wearing, Carrie Mae Weems, William Wegman, Hannah Wilke, Stephen Willats, and Christopher Williams.Link to the exhibition and press release
New Horizons
Growing Sheffield’s Art Collection
Sat 18 October 2025 — Sun 25 January 2026
Millenium Gallery
Sheffield’s art collection has been expanding and evolving ever since it was founded 150 years ago. Today, it continues to develop, celebrating artistic excellence that reflects the world we live in and helps us find our place in it.
The city’s collection was first established to make great art accessible to Sheffield’s people, and it’s this founding principle that continues to see the collection grow. Sheffield Museums is a charity and has to fundraise to acquire artworks for the collection. But over the past decade, many extraordinary works have found their home in the city thanks to the relationships we’ve fostered, generous gifts from artists and collectors, thoughtful bequests, and the support of key organisations like Art Fund and the Contemporary Art Society.
New Horizons will present highlights of the paintings, works on paper, sculpture and video art that have joined the collection over the last ten years. Work by artists including Lubna Chowdhary, Lucian Freud, Dan Holdsworth, Grayson Perry, Bridget Riley, Marlene Smith, Mark Wallinger and more will demonstrate art’s great power to speak to our lives now.
The exhibition will also look to the future, inviting visitors to consider how Sheffield can continue to grow an art collection that is representative and reflective of today’s society.
Over at the Graves Gallery, the exhibition is complemented by displays that showcase the full breadth of the city’s art collection, with over 250 works spanning the centuries through to the present day. Link to the exhibition and press release
My People Will Return: In Air, In Water, In Light
Curated by Zayna Al-Saleh
14 November —31 December 2025
TICK TACK, Antwerp
TICK TACK is proud to announce My People Will Return: In Air, In Water, In Light, a major group exhibition curated by Zayna Al-Saleh, in which the land and body bears witness to ethnic cleansing and genocide - physically and metaphysically - while delicately balancing the dichotomy of what remains and the promise of return. Art in this context becomes a force for resurrection. The works on view respond to the final verse of the poem The “Red Indian’s” Penultimate Speech to the White Man by the Palestinian poet, Mahmoud Darwish. Here, his words are intended to be read like prophecy and are intersectional to both legacies of erasure. However brazen and violent the attempt of these erasures, traces continue to infinitely exist in our knowledge of the land and its knowledge of us. The terrestrial and other elements are forces beyond the control of our oppressors and are thus indisputable, natural tools for renewal and return - in air, in water, in light.
The show features artists Dima Srouji, Hamada El Kept, Areej Kaoud, Khaled Jarrar, Millie Brown, Emily Jacir, Areen Hassan, Banksy, and filmed readings of the excerpted poem in Arabic and English by Saleh Bakri and Luca Kamleh Chapman. It opens within the week of Thanksgiving—a period often marked by reflection on origins, occupation, and reconciliation.
At sundown, the subject matter extends onto CINEMA TICK TACK, presenting a ‘Palestine Public Cinema Programme’ featuring works by Dima Srouji, Adam Broomberg + Lena Holzer, Steve Sabella, Jumana Manna, Rosalind Nashashibi, Sharon Rose, Mark Wallinger, Larissa Sansour & Søren Lind. The films are projected throughout the night into the public domain, highlighting TICK TACK’s position on the border of the public/private, as well as day/night.Link to the exhibition and press release
Faith No More. Rituals for Uncertain Times
24 October 2025 — 1 March 2026
Abby Kortrijk
An exhibition about apocalyptic thinking, despair, hope, and consolation in the Middle Ages and today, featuring live work by Tino Sehgal in de Kapel and works by Marina Abramović, Francis Alÿs, Joseph Beuys, Michaël Borremans, Miriam Cahn, Lucas Cranach I, Thierry De Cordier, Albrecht Dürer, Marlene Dumas and many others in the galleries.
We are living in uncertain times. Climate change, wars, tensions between countries, rapid technological shifts and social unrest leave many feeling lost. At times, it seems as though we are sliding into an apocalyptic vision of the future. This echoes the late Middle Ages, when people saw their world as chaotic, threatening and unstable — and surrendered to higher powers in search of guidance.
For centuries, religion offered a framework to understand life. It provided direction and comfort, but also imposed dogmas and exclusion. Faith was the way to create order in an often incomprehensible reality. Today, that self-evident role of religion has largely disappeared. We live in a secular and fragmented society. Where do we now find new forms of grounding, connection and hope? How do we give our fears and desires a place?
This exhibition departs from that search. It shows how artists, past and present, grapple with uncertainty and fear, how they shape grand narratives and intimate rituals, and how art can offer new perspectives for collective grounding. Perhaps the key to our time lies not in ready-made answers, but in searching, experiencing, and imagining together what it means to be human in a world full of change.
Descend into the underground galleries and immerse yourself in late medieval and contemporary art about doom and dawn, despair and consolation. Above ground, in de Kapel, live work by Tino Sehgal awaits you — a transitional ritual between the world inside and the world outside. A sensory and emotionally charged experience that exists only in your memory: intimate, fleeting, and impossible to recreate.
Faith No More. Rituals for Uncertain Times is curated by Sarah Keymeulen and Klara Rowaert in collaboration with co-curator Kendell Geers. The exhibition includes works by Marina Abramović, Nel Aerts, Jane Alexander, Francis Alÿs, Ghada Amer, Alice Anderson, Marcella Barceló, Joseph Beuys, Bianca Bondi, Michaël Borremans, Ricardo Brey, Apollinaria Broche, Miriam Cahn, Erasmus Causse, Félix Clouet, Lucas Cranach I, Cornelius de Bourgondia, Thierry De Cordier, Paul Delvaux, Otto Dix, Gino de Domenicis, Edith Dekyndt, Bernaerd De Rijckere, Herwig Driesschaert, Marlene Dumas, Victor Ehikhamenor, Myriem El-Kaddouri, James Ensor, Michel François, Maxim Frank, Kendell Geers, John Giorno, Jeppe Hein, Carsten Höller, Kubra Khademi, Joachim Koester, Thomas Lerooy, Man Ray, Antoine Roegiers, Quinten Massijs, Tony Matelli, Hollie Miller, Shirin Neshat, Hermann Nitsch, Marion Oster, Irving Penn, Leonard Pongo, Fabrice Samyn, Tino Sehgal, Marinella Senatore, Studio DRIFT, Mircea Suciu, Luc Tuymans, Philippe Vandenberg, Joris Van de Moortel, Giovani Vanhoenacker, Klaus Verscheure, Mark Wallinger and Cindy Wright, alongside prints by, among others, Pieter Bruegel I, Albrecht Dürer, Theodoor Galle, Rembrandt van Rijn and Hieronymus Wierix.Link to the exhibition and press release