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https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e932d53c-8491-4e9d-9aef-a1a0e514b306/SAV_2019Summer_Exhibitions_MarkWallinger_AS_01_RT_v2.jpg 2019 Two large abstract black and white inkblot artwork panels hanging on a white gallery wall. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ecb5e2eb-718d-44a3-9ab0-874daf25cdbb/Mark+Wallinger%2C+SCAD+Museum+of+Art%2C+2019.jpg 2019 A black modern pedestal sculpture on a white block, displayed in a gallery setting with wooden flooring and white walls. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/06cc9f79-f69f-4737-ab90-d035dfd3b82a/Mark+Wallinger%2C+SUM%2C+Galerie+Krinzinger%2C+2013.jpg 2019 Gallery of five large black and white abstract symmetrical paintings on white walls in an art gallery with concrete floors. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/8adda71f-31c4-4265-bb75-f7e908a65e11/SAV_2019Summer_Exhibitions_MarkWallinger_AS_03_RT_v2.jpg 2019 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/dfd2ee22-1c5c-4e4a-b842-c56407dfa16b/Mark+Wallinger%2C+Statue+%28Fragment%29+2018.+SCAD+Museum+of+Art+Exhibition%2C+2019.jpg 2019 Black sunglasses on a white surface with soft shadows. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c994ab64-d766-4b0a-ab9f-6a130409c7fe/Mark+Wallinger%2C+SUM%2C+Galerie+Krinzinger%2C+2013.jpg 2019 Five large black and white abstract paintings on display in an art gallery with white walls and a concrete floor. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/58791cc7-6b1e-44eb-b916-4c8699a4c102/SAV_2019Summer_Exhibitions_MarkWallinger_AS_04_RT_v2.jpg 2019 Art gallery with six large black-and-white abstract prints on white walls and a black sculpture pedestal in the center of the room. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/fe6e36f0-6dce-49f3-ab37-a51d761a3736/WALL_AA_3.010.O.jpg 2019 Interior of an art gallery with white walls, large abstract paintings, an ornate archway, and double doors leading to additional exhibit spaces. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/4611ba26-2f24-4011-a78c-a39c4e6101ac/SAV_2019Summer_Exhibitions_MarkWallinger_AS_49.jpg 2019 A large vertical digital screen or monitor leaning against a plain white wall, displaying a shadow of two people walking on a sidewalk. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/785fac37-59a6-4e72-b078-4128f6dd803d/SAV_2019Summer_Exhibitions_MarkWallinger_AS_64_RT.jpg 2019 An art installation with a video projection of a dog on a dark wall indoors, with a black table in the foreground. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/31043a53-dfe1-423a-a29e-3630ac6594a2/Mark+Wallinger%2C+SUM%2C+Galerie+Krinzinger%2C+2013.jpg 2019 Interior of an art gallery with white walls, a blank light-colored painting, a black frame on the wall, and a decorative archway with glass panels. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/bab7ec61-b076-4846-81c4-bacaacf12459/WALL_AA_3.011.O.jpg 2019 An art gallery with white walls, two large square monochrome artworks, and one rectangular black artwork on a white frame in the corner, with detailed ornate moldings and a high ceiling. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f440ab6f-d1b6-4b05-ba61-33ed9d56ac5c/Mark+Wallinger%2C+Ego%2C+2016.+%282%29.jpg 2019 Two hands reaching towards each other, with one on the left and the other on the right against a plain background. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/83b97913-c4d1-4d8a-9a0e-164501aee941/WALL_AA_3.018.O.jpg 2019 Art gallery with three large abstract black-and-white paintings on white walls in a bright room with intricate ceiling moldings. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a683e2c7-7172-408b-99ed-2fc5476d5c2a/Mark+Wallinger%2C+MARK+%28still+from+film%29%2C+2010.JPG 2019 Red brick wall with a small white sign saying 'MARK' in the center. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/5ad28335-4d76-498d-9092-ee85046b34f7/Mark+Wallinger%2C+MARK%2C+2010.+Still+from+film+2.JPG 2019 Photo of a brick wall with peeling white paint and a small painted sign with the word 'MARK'. There are green plants hanging over part of the wall. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/956e7a6e-0814-4c99-9240-22d94739afad/Mark+Wallinger%2C+SUM%2C+Galerie+Krinzinger%2C+2013.jpg 2019 Three large abstract black and white paintings displayed on a white wall in a gallery, with minimal lighting and high ceiling. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/df00f275-38a5-4101-913a-440e628d85e6/Mark+Wallinger%2C+SUM%2C+Galerie+Krinzinger%2C+2013.jpg 2019 Two large abstract black and white paintings displayed on white gallery walls. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a6a66fb8-ac72-4147-b490-aafdbc643f96/Mark+Wallinger%2C+SUM%2C+Galerie+Krinzinger%2C+2013.jpg 2019 Two large black and white abstract paintings hanging on white gallery walls in an art gallery, with a light-colored floor and track lighting overhead. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/82e1eaf6-5faa-4063-b889-04985fd8bf68/Mark+Wallinger%2C+id+Painting+5%2C+2015.jpg https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/9749d76d-f8b6-48a4-87dd-8f4ea83223aa/Mark+Wallinger%2C+id+Painting+4%2C+2015.jpg https://markwallinger.art/2023-markwallinger daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/03dba2c3-0dd8-4e4c-bf64-3f9aa556e826/MARKWALLINGER_ARCADIA_FLG_SOK-7.jpg 2023 An art gallery with white walls and wooden flooring displaying cityscape photographs, and a man standing in the center looking at the camera. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/24494990-90e6-4a3d-858a-d0f55a66c6ab/MARK+WALLINGER+INSTALL+VIEW_EDITED+IMPORT_3-Recovered.jpg 2023 A bright, white art gallery with large windows, light wood flooring, and contemporary artwork on the walls. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c95e5a94-d683-41f6-ac3b-331263334d47/Stained+Glass+Window%2C+2023_+Still+2.+Courtesy+of+Mark+Wallinger.jpg 2023 Stained glass artwork of Jesus Christ with outstretched arms, surrounded by decorative floral and geometric patterns. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a787062c-e3c8-4c11-bebd-5e568f432619/Window%2C+2023_Still+1.+Courtesy+of+Mark+Wallinger.jpeg 2023 Reflection of city buildings, trees, and a statue in a facade made up of small glass blocks. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7badc91b-630f-44f0-b43d-6ed08d609816/MARKWALLINGER_ARCADIA_FLG_SOK-5.jpg 2023 An art gallery with two people, one man and one woman, looking at photographs on white walls. The man is standing near a window, talking on the phone, while the woman is smiling and looking at her phone. The gallery has wooden floors and ceiling spotlights. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0d970adb-4f35-45eb-bbae-3983ee19cddb/Mark+Wallinger%2C+Arcadia%2C++2021.png 2023 A collage of two urban street scenes. The left side shows people walking on a city sidewalk with some wearing masks, and buildings with tall windows in the background. The right side shows two women on a bicycle facing each other with backpacks. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/41f4f358-9298-4ca4-94a6-b455593d33d0/MARK+WALLINGER+INSTALL+VIEW_EDITED+IMPORT_10.jpg 2023 Five framed abstract black and white artworks hang on a white wall in an art gallery with wooden floors and a large window on the left side. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/4de3ca9c-fc1e-406d-bd31-3b8fa78adab1/Final_+Still_+Opticks%2C+2023_Press.jpeg 2023 People walking past a store window displaying mannequins dressed in suits, with a historical plaque for Sir Isaac Newton and a note about a tablet fixed in 1908 and rebuilt in 1915, on a street in Hackett. Mark Wallinger’s show at Cedric Bardawil. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/59bd956d-8da4-4e9c-b6ed-7511e61d11ef/MARKWALLINGER_ARCADIA_FLG_SOK-8.jpg 2023 A woman with a backpack looking at artwork in a brightly lit art gallery with white walls and wooden floors. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d5d865b5-0b29-48fc-b356-8326060e22a4/MARK+WALLINGER+INSTALL+VIEW_EDITED+IMPORT_9-Recovered.jpg 2023 An art gallery with white walls, wooden floor, and artworks on display. Five framed abstract drawings or paintings are on the right wall. A larger black abstract piece is on the left wall near a window with a rounded top. A small red and yellow apple sculpture or object hangs from the ceiling, and outside the window, buildings and trees are visible. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a14cd163-b2e4-41a9-9e35-6ba1a6c60460/MARKWALLINGER_ARCADIA_FLG_SOK-6.jpg 2023 An art gallery with white walls and wooden floors, featuring two people: a man walking near a white wall and a woman in a blue dress looking at her phone near a large window. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/2a4ff285-b288-4d49-9338-43a5de595332/Mark+Wallinger%2C+Exhibition+View+1%2C+Cedric+Bardawil+Gallery%2C+2023.jpg 2023 An art gallery with white walls and hardwood floors, featuring three framed abstract line drawings on the walls and a large window with archedtop and multiple smaller panes, showing a brick and white building exterior. Mark Wallinger’s at Cedric B https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/dc43034f-a6a9-4b37-abdf-f27b35a6d63d/CB_MARK+WALINGER_May+29+2023_2_INDIVIDUAL+WORKS_V2.jpg 2023 Red apple hanging from the ceiling against a white background. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7a0abe68-3c34-4a27-8cf2-ae75c9cfa1fb/Panorama+London+2020+22+April+at+13-39-45_51x216x3cm.jpg 2023 View of a government building seen through a black metal fence in front. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e743efaf-e6d9-4ef5-a4cb-c6918507fa16/CB_MARK+WALINGER_May+29+2023_56_INDIVIDUAL+WORKS_V2.jpg 2023 Colorful glass marbles with red, yellow, and green patterns on a white surface, casting shadows. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/50d811fe-5f19-4c48-830e-da900bc3fab4/IMG_7041.jpg 2023 City street scene with a storefront on the left, displaying souvenirs and luggage, and a traffic light, street, and modern buildings on the right. Photograph taken during the pandemic by Mark Wallinger. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a750fb22-8377-4919-9ba2-61488e714de4/Mark+Wallinger%2C+Motion+Study+8%2C+2023.jpg 2023 Abstract black ink lines and dots on white background in a wooden frame. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/fa9ce4bb-2603-48d0-93c9-9fd478da4aee/CB_MARK+WALINGER_May+29+2023_38_INDIVIDUAL+WORKS_V2.jpg 2023 Abstract black ink splatter artwork on white canvas within a wooden frame. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c7aacaea-95dc-460c-873a-c1610929c7e1/Mark+Wallinger%2C+Motion+Study+7%2C+2023.jpg 2023 Abstract black and white line art drawing with various lines and dots, framed and displayed on a white wall. Mark Wallinger’s show at Cedric Bardawil Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/269d6f01-0cdc-4d7a-9aa2-65e43d4e6969/Mark+Wallinger%2C+Motion+Study+4%2C+2023.jpg 2023 Abstract black ink splatter and line drawing on white canvas framed in light wood, resembling a modern art piece. https://markwallinger.art/exhibitions-2-2-1-markwallinger daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e5ccc40c-baac-49b9-8a67-2e8942e6a903/20221115_002-1.jpg 2022 An art gallery with black abstract paintings on the walls, a vintage rug on wooden flooring, and four chairs around a small round table underneath a skylight. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1762188835447-VDE8PC7JZQ2GUD0P4ZEN/Ausstellungsansicht_Mark_Wallinger_Hires%252B%25252810%252529_Proteus%252BPainting%252B3.jpg 2022 An abstract painting with yellow, orange, grey, and purple plasticine on a canvas, placed on a wall with a yellow, floral-patterned wallpaper. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1712591916855-ORF02YNT6W51QAJXI64K/Action%2BPainting%2B12_DKG8588-Edit-2-Edit-2-Edit-2LR.jpg 2022 Abstract painting with a black background and swirling white, grey, and silver hand strokes. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/98d164eb-c88b-4a9d-8e5d-d3fb19e92af1/Ausstellungsansicht_Mark_Wallinger_Action+Painting+2017.jpg 2022 Abstract black and white painting, Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/60ed22c6-4053-4839-858f-fb21554549b0/20221115_014-1.jpg 2022 An empty art gallery with black abstract paintings on the beige walls, wooden floors, and a small seating area with four chairs around a table on a patterned rug. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/dc7af6cf-781a-4654-8002-ac8f220f5014/20220927_062-1.jpg 2022 An art gallery room with a chandelier, four abstract paintings on the wall, light purple walls, white crown molding, and hardwood floors. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1762188738180-TMR5W7Y2DX9RJEUUDEAN/Ausstellungsansicht_Mark_Wallinger_Proteus+Painting+2021.jpg 2022 Abstract colorful painting with numerous overlapping blobs of red, yellow, green, blue, white, and purple on a textured background. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6e08c273-3cce-4ed4-9553-f7ceeede47b1/20221115_008.jpg 2022 An art gallery room with two large abstract black and white paintings on the wall, a wooden door in the center, a round table with four chairs, a patterned rug, and hardwood flooring. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/27146dce-f54b-4f23-8adb-4abcaa52a0d9/Ausstellungsansicht_Mark_Wallinger_Hires+%284%29_Action+Painting+6.jpg 2022 Abstract black and white painting on a square canvas, hung on a wall above a wooden bench or cabinet. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e7c8a4c3-954c-45ec-b92b-f1c5ca4a6ce4/20220927_035-2.jpg 2022 Interior of an art gallery with abstract paintings on white walls, hardwood floors, and doorways leading to other rooms with different wallpaper patterns. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f3684ebc-bfd7-47be-9705-46d4dc1990f8/20221115_012.jpg 2022 An art gallery room with four black and white abstract paintings on the wall, wooden flooring, a round wooden table surrounded by five upholstered chairs, and a decorative rug beneath the table. Mark Wallinger at Museum Langmatt. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e2cca63d-0ae1-4e6a-bdfe-2858986d96ee/20220927_041-1.jpg 2022 An abstract colorful painting hanging on a light blue wall above white wainscoting in a room. Mark Wallinger at Museum Langmatt. https://markwallinger.art/exhibitions-2-2-1-1-markwallinger daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/014ce2e5-cde9-4fd0-a9b1-15dd77a6dd55/Sleeper+high+resolution%2C2004+2.jpg 2021 A person dressed in a bear costume standing alone in an empty, illuminated indoor space at night with a high ceiling and dark background. Mark Wallinger’s Sleeper. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a712534d-945b-4334-ae68-cf6eb2753ba5/Mark+Wallinger+Madrid_5_high+res.jpg 2021 An art gallery with white walls, wooden parquet floors, two abstract artworks on the walls, a small television on a white pedestal, and a large glass door with multiple panes. Mark Wallinger at Carlier Gebauer Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a6d02a38-5443-4215-a1d6-75cf905671f8/Mark+Wallinger+Madrid_1_high+res.jpg 2021 Interior of a bright white room with hardwood floors, french doors, and artwork, overlooking a balcony with buildings outside. Mark Wallinger at Carlier Gebauer Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e4c2f494-fb74-4ea7-be91-b5fafac80a91/Mark+Wallinger+Madrid_6_high+res.jpg 2021 Interior view of an art gallery with white walls, hardwood floors, artwork on the walls, a black fireplace, a small wooden table with chairs, and a large digital photo frame leaning against the wall by a window. Mark Wallinger at Carlier Gebauer Gall https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/09c6a141-ba70-4d6d-b13c-f26a02ab706a/MW3_Ego_2016.jpg 2021 Close-up of two hands reaching towards each other with fingers extended, resembling a modern interpretation of Michelangelo's The Creation of Adam. Mark Wallinger at Carlier Gebauer Gallery. https://markwallinger.art/2018-markwallinger daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/cf54be56-6edb-4f8b-8b23-e2457390ad54/Jerwood_200718-067.jpg 2018 Mark Wallinger’s The Human Figure in Space (2007) uses mirrors, stencilled numbers, nails, wood, and 4,800 m of kite string, tightly strung around three walls of the Foreshore Gallery at Hastings Contemporary to form a space-defining graph. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d5eb2087-acad-46e7-aace-783a51057f9c/IMGP0830_cut_lr.jpg 2018 Mark Wallinger's UN is presented in a large white window with the black text 'UN' in the centre, framed by a stone border, situated between other colourful buildings. Wallinger plays a pun between UN and UN- as a prefix. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/02f25aa1-4b8a-4419-a556-25dd2bedc9f6/09-_DSC8046-ph.OKNOstudio.jpg 2018 An indoor art gallery with three portraits of a man in different costumes on a white wall. A person walking past the artwork appears blurred. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/37d1ed47-0f8c-4e29-a93e-37a403ef7a33/miro_0482.jpg 2018 On a gallery wall, Mark Wallinger’s Genius of Venice (1991) presents seven catalogue pages from the 1983–84 Royal Academy Venetian masters exhibition, sandwiched in glass and backlit to create ghostly, devotional-like images. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7fe4e24c-37fb-459b-8dc7-b6442a29ae35/Mark+Wallinger%2C+Superego%2C+2016%2C+exhibition+view+Hauser+%26+Wirth+New+York%2C+2018+%282%29.jpg 2018 A large mirror mounted on a metal pole in a minimalist gallery with white walls and ceiling, accented by red pipes. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1762790758978-OH6OMRXH9KVIOB5WFOH2/Mark+Wallinger_VMG+Venice_2018.jpg 2018 Detail of Mark Wallinger’s Genius of Venice (1991) framed art piece displayed on a gallery wall, sandwiched between glass and illuminated from behind by a flickering nightlight to reveal the presence of an image overleaf. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d2b2aee0-63b7-4eac-9fe7-a6f4962064a0/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-8.jpg 2018 Two small circular holes in a white wall, each with a face of an older man with a serious expression visible through the holes. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1750b459-b2fa-41a0-98cc-7fec00e7faaf/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-26.jpg 2018 Empty white art gallery with a large mirror ceiling installation and three closed doors on the back wall. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d5499834-c93a-482f-a044-9f0db7609c99/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires.jpg 2018 Empty white art gallery with two blank white canvases hanging on the walls, bright lighting, and polished flooring. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/552a0b72-eff3-4f09-92b2-14d60f977130/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 A museum gallery presenting Mark Wallinger’s Ecce Homo (1999-2000) , a life-sized, white marble resin sculpture of a vulnerable, solitary Christ figure. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/41d9a249-ed33-4f70-974a-b8bf767abcc4/Birdman+1.jpg 2018 Detail of Mark Wallinger's Birdman. The piece features cropped details taken from images of contestants at the International Birdman competition. People with costumes with wigs and high heels, seemingly floating in the sky against a clear blue sky. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1b7f7601-787c-4a9c-9cd3-635783794315/IMGP0845_lr.jpg 2018 Street view of Mark Wallinger's UN, presented in a large white window with the black text 'UN' in the centre, framed by a stone border, situated between other colourful buildings. Wallinger plays a pun between UN and UN- as a prefix. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1762790800005-XM49XA4V4V2HG9L35PO6/Mark+Wallinger_VMG+Venice_2018.jpg 2018 Detail of Mark Wallinger’s Genius of Venice (1991) framed art piece displayed on a gallery wall, sandwiched between glass and illuminated from behind by a flickering nightlight to reveal the presence of an image overleaf. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a63e1daa-283d-4dfd-b3b9-2f56771a7ecf/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-21.jpg 2018 Small black-and-white photograph of Claude Monet from 1904. In a self-portrait, the artist’s shadowy reflection appears to gaze back from the quiet depths of a lily-framed, mounted on a white gallery wall. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/252276b2-c84f-4bed-991d-c22b1e6a53ab/Mark+Wallinger%2C+Masaccio%2C+1998.jpg 2018 Framed artwork featuring technical sketches and a poem titled 'Masaccio' by Mark Wallinger. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/45a74278-bc48-4a9c-b56b-f61b306b4161/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-2.jpg 2018 Modern art installation featuring a geometric, mirror-like structure mounted on a tall, cylindrical metal pole in a minimal gallery space with large windows and white walls. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/bed191f4-fd2d-4b6b-b0fb-71b6bf8f4e3f/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-41.jpg 2018 Two people in a minimalist art gallery; one standing on the ground looking up, the other upside down on the ceiling, both observing the mirror ceiling installation. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f713ddc5-b7d9-4bce-8948-b9c83cc1f2bd/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-36.jpg 2018 Empty white art gallery with two blank canvases on the walls, an open doorway in the centre leading to another room, and a ceiling with white beams and recessed lighting. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0fa9b1f9-7fba-42ab-968e-30da2045af08/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 Three portraits of men in glasses hanging on a white gallery wall, with the middle man sporting a turban-like headwrap and a beard, and the other two men clean-shaven with different hairstyles. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6a71cdb7-9e16-4744-be37-722117867a5b/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 Detail of Mark Wallinger’s Ecce Homo (1999-2000) , a life-sized, white marble resin sculpture of a vulnerable, solitary Christ figure with a barbed wire crown on his head, his hands are behind his back, with a rope tied around his wrists. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/35c2b148-6355-4968-832d-dd96b9665813/Mark+Wallinger%2C+THE+HUMAN+FIGURE+IN+SPACE%2C+Hastings+Contemporary%2C+2018.jpg 2018 Mark Wallinger’s The Human Figure in Space (2007) uses mirrors, stencilled numbers, nails, wood, and 4,800 m of kite string, tightly strung around three walls of the Foreshore Gallery at Hastings Contemporary to form a space-defining graph. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f632c49b-2dc0-421a-bb12-7b9466157ef7/Birdman+2.jpg 2018 Detail of Mark Wallinger's Birdman. A cropped detail taken from images of contestants at the International Birdman competition. A person wearing a blue dress and pink shoes, appearing to float in the air, with a cloudy sky in the background. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f082bc16-f6cb-4804-b0e7-c301ee4f78c2/14-_DSC8058-ph.OKNOstudio.jpg 2018 Large paintings based on Mark Wallinger's own body measurements. The two halves mirror each other, recalling symmetrical images like the Vitruvian Man and Rorschach inkblots. Made by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/052621d6-a5d1-4498-8f9f-e31812c6ac0d/WALLI89788-lowres-2.jpg 2018 Two beige textured tiles placed side by side on a light-colored background. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a48e8119-eabb-44ac-a46a-cd7b2aae3762/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-14.jpg 2018 Small-scale sculptural rendering of the focal point of a major public commission, Writ in Water. A metallic band with engraved Clause 39 of Magna Carta sitting on a white surface against a light background. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0de1a211-7417-4462-988a-683833788213/Mark+Wallinger%2C+THE+HUMAN+FIGURE+IN+SPACE%2C+Hastings+Contemporary%2C+2018.jpg 2018 Mark Wallinger’s The Human Figure in Space (2007) uses mirrors, stencilled numbers, nails, wood, and 4,800 m of kite string, tightly strung around three walls of the Foreshore Gallery at Hastings Contemporary to form a space-defining graph. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7971b654-f47e-4baa-bd99-a3598dc4e17e/Mark+Wallinger_VMG+Venice_2018.jpg 2018 Mark Wallinger’s I Am Innocent (2010) is a life-size, double-sided reproduction of Velázquez’s Pope Innocent X, one side original, the other reversed. Suspended from the ceiling of an art gallery, it spins continuously, creating an optical effect. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/2ea00c80-01bc-442e-bd13-7d76826a19f6/Jerwood_200718-035.jpg 2018 Mark Wallinger’s The Human Figure in Space (2007) uses mirrors, stencilled numbers, nails, wood, and 4,800 m of kite string, tightly strung around three walls of the Foreshore Gallery at Hastings Contemporary to form a space-defining graph. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/05ff09c9-5ef1-4832-96db-52b5730b5424/19-_DSC8064-ph.OKNOstudio.jpg 2018 Modern art gallery interior with white walls and floors, displaying Mark Wallinger's work, a black sculpture on a pedestal, and several framed and large abstract artworks on the walls. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7d189d16-d6f6-4e2f-91fb-be62e72b8f21/Hauser+%26+Wirth+New+York%2C+22nd+Street-hires-11.jpg 2018 A bronze cast of Mark Wallinger’s spectacles on a white surface with a reflective background. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/8e403b36-2799-4c9a-a7b5-d78e8ab788b7/Mark+Wallinger_VMG+Venice_2018.jpg 2018 Mark Wallinger’s I Am Innocent (2010) is a life-size, double-sided reproduction of Velázquez’s Pope Innocent X, one side original, the other reversed. Suspended from the ceiling of an art gallery, it spins continuously, creating an optical effect. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/3d8934ce-6068-468e-9e8e-ee379cb6f501/Jerwood_200718-062.jpg 2018 Mark Wallinger’s The Human Figure in Space (2007) uses mirrors, stencilled numbers, nails, wood, and 4,800 m of kite string, tightly strung around three walls of the Foreshore Gallery at Hastings Contemporary to form a space-defining graph. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/748d2fed-c804-4edc-bd31-2f240ef843ad/10-_DSC8042-ph.OKNOstudio.jpg 2018 Art gallery displaying Mark Wallinger's work, featuring multiple black-and-white abstract portrait paintings and two smaller colour photographs in the background. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/918114cf-b653-48e0-9f8d-8feaa9f4f733/Mark+Wallinger_VMG+Venice_2018.jpg 2018 Gallery wall featuring Mark Wallinger’s Ego: two photographs of the artist’s hands reaching toward each other, evoking the iconic Creation of Adam scene. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/04075ebc-f0c8-4373-8006-381033d2c9fc/Jerwood_200718-660.jpg 2018 Two men standing and talking in front of Mark Wallinger’s The Human Figure in Space (2007) mirrors, stencilled numbers, nails, wood, and 4,800 m of kite string, tightly strung around three walls of the Foreshore Gallery at Hastings Contemporary. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c0a2b900-90b2-4d99-9c1b-239399ef3173/22-DSC08046-ph.OKNOstudio.jpg 2018 Art gallery showcasing Mark Wallinger's artwork, featuring a black abstract sculpture and paintings on a white wall, with a tall black sculpture placed in front. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a2af1e39-b5fe-486b-9c75-02e1d0225c21/WALLI89790-lowres.jpg 2018 A rectangular beige fabric or textured material with a slightly shiny appearance. Mark Wallinger at Hauser & Wirth Gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a64d35b4-db59-43e6-9a3f-9066cdb79376/Mark+Wallinger%2C+Double+Still+Life_Photographer+Dave+Morgan.jpg 2018 Mark Wallinger’s Double Still Life, 2009, consists of two identical displays of silk flowers: roses, lilies and other imperishable blooms arranged in plastic urns set against a plain wall background in a gallery space. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/837b32cd-d4ee-44e1-aefc-8b9358f00835/18-_DSC8063-ph.OKNOstudio.jpg 2018 Art gallery displaying Mark Wallinger’s Self Portraits paintings, a series of work where the letter “I” is painted in black on a white background, the first-person pronoun in a unique font. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/9c987067-36ae-4d7a-8c36-0b1cf386baf9/Mark+Wallinger%2C+THE+HUMAN+FIGURE+IN+SPACE%2C+Hastings+Contemporary%2C+2018.jpg 2018 Art Gallery showing five screens, mounted on white pedestals, display Mark Wallinger’s Landscape with the Fall of Icarus, showing footage of people in precarious positions. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/47603c80-3eb6-4e14-86a8-238c399b46ed/Centro+Pecci.jpg 2018 Art gallery with a curved white wall displaying Mark Wallinger’s "The Unconscious". The floor is covered by "Steine", a work that consists of numerous small and large stones, some marked with numbers, scattered across the polished concrete surface. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c77ff53d-67bf-4814-be3f-ba5d74220c2b/Mark+Wallinger%2C+THE+HUMAN+FIGURE+IN+SPACE%2C+Hastings+Contemporary%2C+2018.jpg 2018 Gallery wall displaying Mark Wallinger's Birdman. The piece features cropped details taken from images of contestants at the International Birdman competition, which takes place on the Sussex coast. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/71ddea2f-9711-4d7c-affc-64203c199f15/Birdman+3.jpg 2018 Detail of Mark Wallinger's Birdman. The piece features cropped details taken from images of contestants at the International Birdman competition. Two individuals in costumes appear to be floating against a cloudy sky background. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/635bcff8-66b5-45f3-86d7-33d408dfdb3a/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 Art Gallery featuring Mark Wallinger’s "The Unconscious", enlarged images sourced from the Internet of people sleeping on public transit, displayed on a white wall in an art gallery. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0dc3cb44-e25b-4fd6-9f0d-71077f01bd01/33-_DSC8111-ph.OKNOstudio.jpg 2018 Art gallery showing Mark Wallinger’s The Unconscious — enlarged internet-sourced images of people sleeping on public transport displayed on a white wall — alongside Steine, one thousand numbered stones covering the floor. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/60d076be-a798-47a6-8fa9-4aa2939986da/Birdman+4.jpg 2018 Detail of Mark Wallinger's Birdman. The piece features cropped details taken from images of contestants at the International Birdman competition. A person, wearing red leggings and black shoes, appears to be falling or flying against a cloudy sky. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/882b67ce-dbb8-469b-b07e-727d25e8c26e/Mark+Wallinger%2C+Sleeper+%2C2004.+High+resolution+3.jpg 2018 Still from Mark Wallinger's "Sleeper," a performance in which the artist wears a bear costume and wanders around Berlin's Neue Galerie after dark. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/31ff2800-157c-4e67-b2b3-732d162aa360/Mark+Wallinger%2C+Threshold+to+the+Kingdom%2C+2000%2C+%28Still+from+film+1%29.jpg 2018 Still from Mark Wallinger’s Threshold to the Kingdom, a single-channel colour video projection showing slow-motion footage of passengers entering through the international arrivals doorway at London City Airport, filmed in one fixed frontal shot. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0bdb509e-124f-4008-95da-fed59e2ff06e/5+Construction+Site+0.56.36.jpg 2018 Still from Mark Wallinger’s Construction Site, a a single-channel colour video projection showing three professional scaffolders erecting and dismantling a structure on a beach, against a backdrop of sky, sea and land. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0d0b19ed-ea41-4256-bd52-d39f17012ab7/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 People seated on benches in an art gallery watching a large projection showing Mark Wallinger’s Construction Site, a single-channel colour video projection showing three professional scaffolders erecting and dismantling a structure on a beach. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/b462ab7a-911f-4700-b42e-26bf4480fb5c/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 An art gallery featuring dark flooring and white walls showcases Mark Wallinger's Shadow Walker and MARK on screens, each mounted on separate walls, with a doorway leading into a brightly lit room. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7a958957-45e7-46ec-a232-ab467e78c1b8/Mark+Wallinger%2C+Centro+per+l%E2%80%99Arte+Contemporanea+Luigi+Pecci%2C+2018.jpg 2018 View of a large projection showing Mark Wallinger’s Construction Site, a a single-channel colour video projection showing three professional scaffolders erecting and dismantling a structure on a beach, against a backdrop of sky, sea and land. https://markwallinger.art/2017-markwallinger daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6336d627-1b71-4a9f-8484-84856a48a14a/FM_MW_05.jpg 2017 Mark Wallinger’s Mark (2010) features 100 chairs tied by threads to a central eye bolt, forming a vanishing-point structure. The artist’s name on each chair personalises the work, evoking a congregation while referencing the Gospel of Mark. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a91a7b67-38b0-4651-b6d4-b0aa0830473f/Mark+Wallinger%2C+Adam%2C+2016%2F2017.+1.jpg 2017 Gallery wall displaying Mark Wallinger’s Adam (2003), a poem of first lines beginning with ‘I’ drawn from Palgrave’s Golden Treasury (1861) and arranged alphabetically. Lines by Shelley, Wordsworth, and Burns form a constructed ‘I’. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/3a596c52-4449-4ec6-91dc-ffc1d742df02/Mark+Wallinger%2C+Race%2C+Class%2C+Sex%2C+1992.+1+of+4.jpg 2017 An art gallery exhibits one of four paintings from Race, Class, Sex (1993) by Mark Wallinger, showcasing four male descendants of an Arab stallion imported to England in the 18th century. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/5132ffd6-ca38-4462-9a50-5ade3545e73a/DCA_MW_60.jpg 2017 Four large monitors on black rolling stands show Mark Wallinger’s Orrery (2016), a four-channel video installation. The looping work centres on the New Fairlop Oak in Barkingside, with four screens representing the seasons. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c1e9fb33-e89e-42f1-8b60-d4f851a2cac2/Mark+Wallinger%2C+Venus+and+Mars+%28detail%29%2C+2016.jpg 2017 Mark Wallinger’s Venus and Mars (2016) is a minimalist piece: a white frame with a central circular cutout reveals images of human flesh. Mounted on black-and-white backgrounds, the isolated images suggest ambiguous celestial-scale forms. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/2945b806-d16d-436a-b6ba-d6530e365417/Mark+Wallinger%2C+Race%2C+Class%2C+Sex%2C+1992.+3+of+4.jpg 2017 An art gallery exhibits one of four paintings from Race, Class, Sex (1993) by Mark Wallinger, showcasing four male descendants of an Arab stallion imported to England in the 18th century. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ea844d95-92d4-4d76-bbfd-7bb64334432e/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 An art gallery presents I Am Innocent (2010) by Mark Wallinger: a life-size, double-sided reproduction of Velázquez’s Pope Innocent X, suspended from the ceiling and set spinning, one side reversed, creating a beguiling optical effect. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7a008fb0-0c84-4ac0-8b3a-73a083aebeae/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 Mark Wallinger’s Mark (2010) features 100 chairs tied by threads to a central eye bolt, forming a vanishing-point structure. The artist’s name on each chair personalises the work, evoking a congregation while referencing the Gospel of Mark. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/4568d939-a5da-4ddb-8b2b-aa1de77de579/DCA_MW_24.jpg 2017 Projected onto the gallery wall, Mark Wallinger’s Ever Since (2012) shows a life-sized barber’s shop. Only the pole turns; inside, the clock’s second hand loops two seconds endlessly. A silent film illusion, its spiral completes one revolution every https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1762792436223-3AUSD2LPYD0O6TO710VE/Mark+Wallinger%2C+Venus+and+Mars+%28detail%29%2C+2016.jpg 2017 Mark Wallinger’s Venus and Mars (2016) shows circular images of human flesh, a minimal piece with a central circular pink cutout on black, framed and wall-mounted. Isolated from context, they appear ambiguous, evoking distant, celestial-scale forms. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7df4fb21-ed85-4f33-98ab-f9ce9be5c2e7/Mark+Wallinger%2C+Race%2C+Class%2C+Sex%2C+1992.+4+of+4.jpg 2017 An art gallery exhibits one of four paintings from Race, Class, Sex (1993) by Mark Wallinger, showcasing four male descendants of an Arab stallion imported to England in the 18th century. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/bd20530d-04c4-4c5b-9a0f-5bdd68438268/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 Mark Wallinger’s Mark (2010) features 100 chairs tied by threads to a central eye bolt, forming a vanishing-point structure. The artist’s name on each chair personalises the work, evoking a congregation while referencing the Gospel of Mark. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/42e2c8a1-4050-4864-af45-434c887585de/DCA_MW_32.jpg 2017 In a bright gallery, Mark Wallinger’s large id paintings, scaled to his body, line the walls. Before them stands Self (Symbol), a freestanding Times New Roman capital “I,” made to his height, at once personal and universal, a self-shared by all. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/05454338-12c7-4616-ae5d-fdde47277f39/Mark+Wallinger%2C+Dundee+Contemporary+Arts%2C+2017.jpg 2017 In a dark gallery, Mark Wallinger’s Shadow Walker (2011) plays on a floor-level screen. Filming his shadow along Shaftesbury Avenue, he gives it an autonomous presence as “real” as his own body. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/eec5494a-5695-4273-91b3-f3187ca5f242/Mark+Wallinger%2C+Race%2C+Class%2C+Sex%2C+1992.+2+of+4.jpg 2017 An art gallery exhibits one of four paintings from Race, Class, Sex (1993) by Mark Wallinger, showcasing four male descendants of an Arab stallion imported to England in the 18th century. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d86b9841-f673-4ee9-845a-600173d3a916/Mark+Wallinger%2C+Exhibition+view+3%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 A collection of various chairs in different styles, colors, and materials arranged on a wooden floor, with white string lines crisscrossing over the chairs. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/cfd73507-dced-475f-b958-48485fe503f7/DCA_MW_09.jpg 2017 In a gallery, Mark Wallinger’s Time and Relative Dimensions in Space (2001) re-creates the space-and-time travel machine TARDIS from Doctor Who. The sculpture’s reflective surface mimics a mid-20th-century British police box and famous time machine. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/aac16c5f-b7e9-451f-8c5a-6dbcd8380f3c/Mark+Wallinger%2C+Dundee+Contemporary+Arts%2C+2017.jpg 2017 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. Before them stands the sculpture Self (Symbol) (2017), a freestanding Times New Roman capital “I,” made to his height. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7c7c4a16-8dbf-488f-8c9f-c10eac5144d9/_DSC0330.jpg 2017 An art gallery display with four abstract monochrome artworks on white walls and a large black sculpture resembling a column on a white pedestal in the center. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/2b10f5ca-b316-4227-b4d5-4c18308816f0/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 Mark Wallinger’s Mark (2010) features 100 chairs tied by threads to a central eye bolt, forming a vanishing-point structure. The artist’s name on each chair personalises the work, evoking a congregation while referencing the Gospel of Mark. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/27dbaa8d-0b6c-490f-b910-39cdbaafd7b9/DCA_MW_49.jpg 2017 In a bright, spacious gallery, Mark Wallinger’s id paintings are displayed as large works based on his body measurements. In the back, four large monitors on black rolling stands show Orrery (2016), a four-channel video installation. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/842e29be-3b06-45c3-9a67-45e436b7d8ea/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 Mark Wallinger’s Mark (2010) features 100 chairs tied by threads to a central eye bolt, forming a vanishing-point structure. The artist’s name on each chair personalises the work, evoking a congregation while referencing the Gospel of Mark. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/32f006c9-b0df-4a65-8387-f4534a40d821/DCA_MW_03.jpg 2017 In an art gallery, a large projection shows Mark Wallinger’s Construction Site (2011), a single-channel colour video projection showing three professional scaffolders erecting and dismantling a structure on a beach. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/4704831d-879a-47ed-bf75-73e20ff47f91/FM_MW_53.jpg 2017 Art gallery displaying Mark Wallinger’s Self Portrait paintings, a series of work where the letter “I” is painted in black on a white background, the first-person pronoun in a unique font, and I am Innocent. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a1798656-c751-424c-afdb-15851b0a76f8/DCA_MW_16.jpg 2017 In a gallery, Mark Wallinger’s Time and Relative Dimensions in Space (2001) features a mirrored police-box surface that recreates Dr. Who’s TARDIS. Behind it, four monitors showcase Orrery (2016), a four-channel video installation. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/af8fc3bf-0799-48b7-b940-33b63d0b58f5/FM_MW_28.jpg 2017 Museum with Mark Wallinger’s Self Portrait painting, a series of work where the letter “I” is painted in black on a white background, the first-person pronoun in a unique font, and I am Innocent a life-size, double-sided reproduction of Velázquez’s. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/3842de06-9c22-4d1b-b3bf-4d70be56268b/Mark+Wallinger%2C+Dundee+Contemporary+Arts%2C+2017.jpg 2017 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. Before them stands the sculpture Self (Symbol) (2017), a freestanding Times New Roman capital “I,” made to his height. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/78d9b0a8-1b99-494c-b294-5670e194e466/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 Art gallery displaying Mark Wallinger’s Self Portrait paintings, a series of work where the letter “I” is painted in black on a white background, the first-person pronoun in a unique font https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/4989dbd0-b43c-4d83-a2f5-d1ab4909f531/DCA_MW_47.jpg 2017 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. Before them stands the sculpture Self (Symbol) (2017), a freestanding Times New Roman capital “I,” made to his height. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/4d4f338c-3f97-4f8f-ac7a-fc3d8d4de267/Mark+Wallinger%2C+self+portrait+paintings%2C+The+Fruitmarket+Gallery+Exhibition%2C+2017.+%281%29.jpg 2017 Art gallery displaying Mark Wallinger’s Self Portraits paintings, a series of work where the letter “I” is painted in black on a white background, the first-person pronoun in a unique font. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/8b9c0a98-73fa-4c03-82bb-b4d8b268fa44/Mark+Wallinger%2C+Dundee+Contemporary+Arts%2C+2017.jpg 2017 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. Before them stands the sculpture Self (Symbol) (2017), a freestanding Times New Roman capital “I,” made to his height. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e1b3be0d-ae57-4e6c-becb-b96a154f0855/Mark+Wallinger%2C+Exhibition+view+1%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 In a bright, spacious gallery, Mark Wallinger’s id paintings are displayed as large works based on his body measurements. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/337fc7a7-8746-47df-a25e-e166c5c99a32/Mark+Wallinger%2C+Dundee+Contemporary+Arts%2C+2017.jpg 2017 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. Before them stands the sculpture Self (Symbol) (2017), a freestanding Times New Roman capital “I,” made to his height. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7d27fb59-2cc4-490f-be62-d1f1b83c295c/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 In a bright, spacious gallery, Mark Wallinger’s id paintings are displayed as large works based on his body measurements. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/87c83d7f-ccb9-4e4a-84d6-659b9a6216ef/DCA_MW_04.jpg 2017 A screen in an art gallery exhibits Mark Wallinger’s MARK (2010), a film made of single photographs of the word ‘MARK’ chalked within the parameters of a single standard-sized brick on walls in 2,265 locations throughout London. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6f385081-7ba5-4894-bdc3-83f4c33fef10/Mark+Wallinger%2C+The+Fruitmarket+Gallery%2C+2017.jpg 2017 In a bright, spacious gallery, Mark Wallinger’s id paintings are displayed as large works based on his body measurements. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a976a48b-4552-46ac-a634-4bbcabb95a55/Wallinger_Durer_Install_0207_PRESS.jpg 2017 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ce4010af-bd9a-40cd-b972-490625523cd9/FM_MW_48.jpg 2017 Large projection of Mark Wallinger’s Sleeper, a single-channel colour video of the artist in a bear costume performing in Berlin’s Neue Nationalgalerie over ten nights. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/3a3e4835-fd8f-425e-9e1f-a69c8adb825d/The+End+frame+grab+02+300dpi.jpg 2017 Still from Mark Wallinger’s The End (2006). The film features a sequence of names gradually scrolling upward at the screen's center, resembling movie credits, and listing every person from the Old Testament in their order of appearance. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/93412aef-515b-462f-bf22-d8453c31a4b6/Mark+Wallinger%2C+Ego%2C+2016.+%281%29.jpg 2017 Gallery wall featuring Mark Wallinger’s Ego: two photographs of the artist’s hands reaching toward each other, evoking the iconic Creation of Adam scene. https://markwallinger.art/2016-markwallinger daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/69cb49f6-5fda-47b7-8040-e15e5cb14ba7/MW_2016_ExhibView_cg_1.jpg 2016 Art gallery with white walls and a staircase leading to a doorway, featuring Mark Wallinger’s Shadow Walker (2011) and Ego (2016), with a glimpse of id paintings (2015) on the back. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/cf67fdc1-7e36-4a10-bd3d-b2e0f565d22d/Ecce+Homo+4.jpg 2016 Detail of Mark Wallinger’s Ecce Homo (1999-2000) displayed at Gösta Serlachius Museum shows a life-sized white marble resin sculpture of a vulnerable, solitary Christ figure. The sculpture features a barbed wire crown, with his hands behind his back https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/185bc2c5-587a-45bb-b1c1-9eef0f4430ed/Self+Reflection+-+View+1+-+A4.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ad87c41f-bab5-4615-baed-4c25cdb00c88/Mark+Wallinger%2C+What+Time+is+the+Station+Leaving+the+Train%3F%2C+2004.+Still+from+film+2.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/77d3db0a-f9b3-4d48-9b0d-573b5bf8c94c/Mark+Wallinger%2C+Self+Reflection%2C+2016.+View+2.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ed05e50b-930c-497e-8d98-9a938b7317b7/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 In a spacious gallery, Mark Wallinger’s Superego (2016) stands alone. This mirrored sculpture, inspired by the revolving New Scotland Yard sign, evokes authority and vigilance, reflecting viewers while remaining distant above them. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/733c71ef-c0a3-4ea2-a2b6-f26f7687a38a/MW_2016_ExhibView_cg_3.jpg 2016 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/3a9476f9-c93b-4fcb-95b2-34c7d9877dfb/Homo+1.jpg 2016 Detail of Mark Wallinger’s Ecce Homo (1999–2000) at the Gösta Serlachius Museum: a life-sized white marble-resin Christ stands vulnerable and alone, crowned with barbed wire, hands bound behind his back with rope. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/42708576-6e09-4557-aa0f-1f7ac60ab7ea/4.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ca45ec13-f303-4f39-9f72-9cec9c8e456d/Self+Reflection+-+View+3+-+A4.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/3504432d-e3e5-459c-b3d2-6a13e3528004/Mark+Wallinger%2C+What+Time+is+the+Station+Leaving+the+Train%3F%2C+2004.+Still+from+film+1.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6bd8c867-1e77-475c-943c-f70dd04aa21e/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 Inside a white gallery with a grid-patterned ceiling, Mark Wallinger’s Superego (2016) stands alone. This mirrored sculpture, inspired by the revolving New Scotland Yard sign, evokes authority and vigilance, reflecting viewers while remaining distant https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/032d4850-f1ef-47fd-bd79-8381a2f2d02b/IMG_0026.jpg 2016 An art gallery with Mark Wallinger’s large black-and-white id painting (2015) on the far wall, and Ego (2016), two photographs of the artist’s hands reaching toward each other, evoking Michelangelo's iconic 'The Creation of Adam.' https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1b2daaba-c11f-4522-b190-ea000d6d8f3a/Mark+Horse+1.jpg 2016 Photograph of Mark Wallinger’s White Horse (2013). A white horse sculpture standing on green grass in a wooded area with tall trees and a cloudy sky, displayed at Gösta Serlachius Museum. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/778ca562-7564-47ff-805b-6f4c0ccdccdc/Screenshot+2025-06-23+at+13.35.28.png 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e4fe679d-cc26-49c4-a132-41413fe82df6/Mark+Wallinger%2C+exhibition+view+2%2C+Self+Reflection%2C+2016.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/657fab87-a808-40fc-a343-051b2893a958/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 Detail of Mark Wallinger’s Superego (2016). A mirrored sculpture, inspired by the revolving New Scotland Yard sign, evokes authority and vigilance, reflecting viewers while remaining distant above them. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f156decf-9921-442d-b6bc-97a029377f9a/MW_2016_ExhibView_cg_01.jpg 2016 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/c0b92782-d7dd-4f14-b0d3-ce8d4673c3f0/Mark+Horse+2.jpg 2016 Photograph of Mark Wallinger’s Black Horse (2015). A black horse statue standing on a grassy lawn, with trees and bushes in the background, displayed at Gösta Serlachius Museum https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/e28182c7-b90c-46c1-a48b-9717789df69a/MAW17low.jpg 2016 Two people, a man and a woman, stand in an art gallery looking at Mark Wallinger’s Superego (2016) stands alone. This mirrored sculpture, inspired by the revolving New Scotland Yard sign. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/2cd90175-df93-4cd8-a899-29313fc0e243/Self+-+View+1+b+-+A4.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/67c3c1aa-95d0-4a97-8302-528773f16340/Mark+Wallinger%2C+exhibition+view+3%2C+Self+Reflection%2C+2016.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6bc0b70f-b415-45ed-a830-4d49475cfbe9/Mark+mark+new+22.jpg 2016 At Serlachius Museum, Mark Wallinger’s self-portraits (2007–2012) line the wall. To the left stands Time and Relative Dimensions in Space (2001); to the right, Self (Symbol) (2017), a towering capital “I” on a plinth, scaled to the artist’s height. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/70b98931-c34a-4d03-9640-b943b5a8b445/ORRERY2.jpg 2016 Two digital screens on mobile stands display Mark Wallinger’s Orrery (2016), a four-channel video installation. The looping work centres on the New Fairlop Oak in Barkingside, with four screens representing the seasons. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/9265b653-d5dc-4e93-ae3b-b9a757ecfd82/Mark+52.jpg 2016 In a gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d044da21-b9d0-4f22-a690-b3a033ae36ec/ORRERY3.jpg 2016 Two flat-screen monitors on mobile stands display Mark Wallinger’s Orrery (2016), a four-channel video installation. The looping work centres on the New Fairlop Oak in Barkingside, with four screens representing the seasons. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a853f4e1-e1b7-42ea-aeab-592073047042/MAW24low.jpg 2016 A dark gallery space features Mark Wallinger’s Shadow Walker (2011) and, projected onto the wall, Wallinger’s Ever Since (2012), which depicts a life-sized barber’s shop. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/eb0d0968-8f64-4b8c-a551-c2185da01a84/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 In a gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/58d5b6c4-5842-4ff3-afeb-2396f5a5d992/MAW53low.jpg 2016 Gallery wall featuring Mark Wallinger’s Ego (2016): two photographs of the artist’s hands reaching toward each other, evoking the iconic Michelangelo's 'The Creation of Adam.' https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/0f1489fd-8e5d-4d0f-b89a-a5dd2a175633/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 In a gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/379dd44b-74fa-49ee-91a8-66e6f52a8fe7/NG35.jpg 2016 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/dc626b48-a34a-4201-a338-7869b21dfa18/Mark+banner+4.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1ef7f47e-6ff4-4b06-98f1-9e11dc29a7bf/MARK+WALL.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/deb3b032-a364-4d50-918c-8cbbe340b3ba/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 Three large In a bright gallery, Mark Wallinger’s id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/b1e5e4fb-e347-4423-bd20-d6cd46c03c25/Mark+Wallinger%2C+MARK%2C+2010.+Still+from+film+1.JPG 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ca1bd577-db51-4a6d-b8ff-ae2bafe8ec90/Mark+Wallinger%2C+Hauser+%26+Wirth%2C+London%2C+2016.jpg 2016 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ac2880fe-5827-4820-910a-fa815cccfd26/_DSC9464_MW_Hauser_HR.jpg 2016 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/b7374f0e-9b4d-4602-8dd7-ba41a94db183/Mark+Wallinger%2C+The+End%2C+2006.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d761b9f1-983e-45b8-b470-16d73d009858/NG7.jpg 2016 Two large Mark Wallinger’s id paintings (2015), scaled to his body. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/67778fdf-398e-49da-8fb2-bb9f607d0dad/7+Construction+Site+1.09.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/6735eab1-a0b1-4660-ac24-050885c271f5/MAW35low.jpg 2016 People observing Mark Wallinger’s large id paintings (2015), scaled to his body. The mirrored halves evoke the Vitruvian Man and Rorschach inkblots, created by sweeping paint-covered hands across the canvas. https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/d39ccbb7-87cc-4c52-9eb9-4e374609b15b/Mark+Wallinger%2C+Sleeper+2004.+High-resolution%2C+2.jpg 2016 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/371abf62-ba73-4bd4-8a67-6afd15187546/MAW51low.jpg 2016 In a bright gallery, Mark Wallinger’s large id paintings (2015), scaled to his body, line the walls. 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St Paul’s Cathedral (in partnership with Amnesty International), 2017 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/f3024b3f-c706-4b26-90aa-0ccfa0497407/Mark+Wallinger%2C+Ecce+Homo%2C+St+Paul%E2%80%99s+Cathedral%2C+2017.jpg Commissions & Special Projects - Ecce Homo, 1999-2000. St Paul’s Cathedral (in partnership with Amnesty International), 2017 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/92ff282e-25c5-454c-bd12-e5aa0eb80725/13_19.jpg Commissions & Special Projects - Ecce Homo, 1999-2000. St Paul’s Cathedral (in partnership with Amnesty International), 2017 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a700b514-05d3-48e6-bc7b-e762d87bced8/Mark+Wallinger%2C+Ecce+Homo%2C+St+Paul%E2%80%99s+Cathedral%2C+2017.jpg Commissions & Special Projects - Ecce Homo, 1999-2000. 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St Paul’s Cathedral (in partnership with Amnesty International), 2017 https://markwallinger.art/commissions-special-projects-markwallinger/la-biennale-di-venezia-2001-mark-wallinger monthly 0.5 2026-02-23 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/8cf55c48-009d-4ad7-98f3-466f4a8cc975/Facade%2C+2001%2C+colour+photograph%2C+life+size%2C+British+pavilion%2C+Venice+Binnale+2001.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/8cf55c48-009d-4ad7-98f3-466f4a8cc975/Facade%2C+2001%2C+colour+photograph%2C+life+size%2C+British+pavilion%2C+Venice+Binnale+2001.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/cf741226-e4dc-4ed0-9863-4193aa60127f/Ecce+Homo+Venice.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/b17353cb-3681-4624-a341-5c410be9a977/Ghost+and+Life+Class.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/31ff2800-157c-4e67-b2b3-732d162aa360/6+test+.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/1738754398922-LU6KMNPC10MZUR4LMJP7/Mark+Wallinger%2C+Facade%2C+2001%2C+exhibition+view%2C+Venice+Biennale%2C+2001+%281%29.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/a7e99537-81f8-4475-ba6f-7afd83b9cc7c/EcHo+and+Facade.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/7bdaa77d-47d7-44fe-b041-9b191f3d9509/WALLI62237-3.jpg Commissions & Special Projects - La Biennale di Venezia, 2001 https://images.squarespace-cdn.com/content/v1/62417fe4d5589a0e9da89d2f/ddb0226a-b032-43af-b935-376b313c61aa/Tardis+and+Life+Class.jpg Commissions & Special Projects - 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